Terminal V Podcast 069 || INSOLATE

Insolate has been one of Croatia’s defining techno talents for decades. She very much introduced the sound to her homeland and has continually pushed it onwards with her Out Of Place label and the HUSH! and TRAUM events she runs. Because of that she now has an international profile and a fine discography that has taken her to great labels like Mote Evolver and BPitch Control and iconic clubs such as Berghain, Tresor and Rex.

Because of the influx of festivals in Croatia, she has also seen her native scene change immeasurably since she first started out. Here she discusses the pros and cons of that, the aim of her label and parties, and explains what makes the Croatian scene unique while serving up a set that takes you to the heart of her pulsing techno sound. She also reveals details of her second album so read on for some great insight from an underground mainstay. 

 

Has the influx of UK festivals in Croatia helped to grow the local scene do you think? Have you seen a noticeable impact since they arrived 10 years or so ago?

The impact has been felt in both positive and negative ways. There are certainly many advantages, but also a few downsides. The rise in the number of quality artists is evident, as is the enhancement in the quality of parties and organisation. The financial boost to local economies is noticeable, and there has been a clear improvement in professionalism.

However, the primary challenge stems from the situation within the country, making it hard for Croatian organisers to keep pace. Consequently, there haven’t been many festivals organised by locals, and smaller events have been struggling. Initially, there were issues with the number of DJs booked for festivals and the limited playtimes they were given, often being assigned to opening slots.

It’s a bittersweet situation, but I’m pleased to see things improving. More Croatian artists are being featured in lineups, and even getting involved in the organisation. This allows us all to learn from each other and understand different working methods.

How has it changed since you first started out more than 20 years ago? Are there more DJs, clubs, labels, record shops, and places to buy DJ gear etc, is it a healthy, vibrant scene?

The scene is very different from when I started 25 years ago. I wouldn’t say it was better back then, as we lacked information and equipment, and some things, like studio gear, were only accessible to those who could afford them – the focus was more on music, and DJs didn’t have to worry about managing a social image. Today, music is far more accessible, which naturally leads to a wider range of opinions, commercialisation, and some lower-quality content. Social image has become crucial now. Times are changing, and while the ideal would be a balance between then and now, we continue to follow the scene’s growth and changes and do our best to keep it healthy and vibrant.

 

And musicially what defines the Croatian techno sound do you think? What makes it different to say Berlin or Detroit?

The scene is very diverse, ranging from melodic and progressive to rhythmic and straightforward techno. I think this diversity is largely due to the different regions of Croatia and our unique geographical shape. Some areas, like the seaside, are heavily influenced by Mediterranean vibes, while other parts have a colder, continental influence.

You head up the Out Of Place label and the Hush! events. What are the sound, style and vibe of those brands? What do you want them to stand for and be recognised for?

The main goal of the parties I organise is to introduce people to the style I play and artists I love and respect and give them the vibe of the events I love attending and performing at. When we first started with the TRAUM events, and later with Hush! events, we were always at the forefront of the techno sound that wasn’t really represented in Croatia, often bringing artists who were playing here for the first time. Globally speaking, the main goal is education and having a good time. Also, we emphasise the inclusion of the LGBTQ community and promote equality for everyone.

My label, Out of Place, was born out of feeling “out of place” in the Croatian scene, where techno wasn’t represented or popular. Now, I can proudly say that I’ve created a platform primarily for young artists, giving them their first steps in the industry. Artists such as Annē, Sera J, Kashpitzky, Hurdslenk, Rove Ranger, and many others took one of the first significant steps in music production with my label. I would describe the style and vibe as incredibly diverse: it ranges from captivating melodies and hypnotic rhythms with strong grooves to the techno inspired by the ’90s and made for right now.

Tell us about your mis, the aim you had with it and what you wanted it to say?

My main aim was to draw you straight to the dancefloor. The mix is designed for prime time, featuring plenty of groove and rhythm with driving and tribal moments. Proper rhythm cardio workout. I’ve also included some tracks from my upcoming album, so you’ll get an exclusive sneak peek into it.

What gear did you use, is that important to you in any way whether in the booth or studio?

In the studio and at the booth, I consistently use four CDJ 2000 Nexus 2 players and an Xone 92 mixer.

What’s next for you? Aside from gigs what do you have coming up/what are you working on?

I just finished my second album, which I’ve been working on for the last year and a half. It will be released as a double vinyl on my label, Out of Place, and is currently in the pressing stage. I am also releasing a remix for Evil Groove Records, along with a few tracks that will be featured on Various Artists compilations from labels such as BRVTAL and INHERIT, both on vinyl.

Currently, I am working on the next Hush! event, which will take place in Zagreb at my home base, Peti Kupe, on November 15th

 

Interview by Kristan Caryl