Terminal V Podcast 095 || SHFTR

SHFTR is one of a tight-knit group of local talent representing Liverpool’s thriving scene right now. Having gone from strength to strength thanks to his unique blend of hard-house, bouncy trance & much more, he is one to watch in 2025 and beyond.
You mentioned on socials a lack of motivation when it came to producing. How do you get yourself out of that? what did you try?
I think social media has completely changed the DJ scene for the better and worse. But I have tried to make videos like other DJ’s but it is not truly me. At the minute I am finding my content just like how a dj finds their sound. My aim is to connect with my fans on the same level you would with a close friend.
What’s your take on hardgroove, what do you hope is your signature style, what about your sounds make them yours, do you think? Is there one aspect that’s key for you, be that the drums, bass, sound designs etc?
So my sound is formed from many genres. I have always listened to a lot of house music ever since I was a teenager. I will always have a serious passion for it. But in the club I prefer to dance to groovy faster techno. My aim: create music that fits right in the middle and that other people like me can connect with because I know a lot of people at these raves also love house music, because how can you not. The 90s house stabs grooving with 909 drums and a low groovy bassline with a housey vocal shadowing over the mix really defines my idea of a TUNE.
What’s more important, the first record of your set or the last, and why? Have you got any current go-tos for either?
So I think that the first track is there to warm up the crowd for what you’re about to do to them therefore it will be more minimalistic and lower energy. Whereas the closing track is the ultimate feel good track to identify the true climax of the mix and to make the most impact on someone’s experience on the dancefloor, like a signature on the end of a note. I care more about the ending track as this is what is going to leave a trademark in the listeners soul. Yes I do have a playlist of ending tracks and no I am not going to share them with you, you will just have to stay till the end 🙂
You played Terminal V at Halloween last year. What are your memories? What was it like? What tunes were big?
This was honestly the pinnacle of my dj career so far. The staff could not do enough for me, I had friends and family there to witness my first festival, I really have no words to describe that experience and I am truly grateful for being brought down. After seeing countless videos of other DJ’s, I got to play one of my biggest tracks “Feel The Stab” on huge speakers and I had goosebumps on every inch of my body, and the crowd were enjoying it just as much
Tell us about your mix, the aim you had with it, and what you wanted it to say.
I came to a hard techno renown event, as a groove DJ. My aim was to introduce these ravers that there was more to techno than distorted kicks and screeches. I tried to take them on a path from just drums to groovy basslines and even some speed garage and house music. I wanted to warm them up for their intense night with music that doesn’t just make you feel good, but allows you to loosen every muscle up.
What gear did you use, is that important to you in any way whether in the booth or studio?
In my home studio I have 3 XDJ 700s and a XONE 92. Until the day of my gig I had never used a XONE96. And that is what I was presented with behind the biggest sound system I’ve ever been stood behind. After my first mix I realised why I was given this mixer. Going from pioneer 3 band mixers to a 4 band Xone mixer is like going from a pedal bike to a car as a form of transport. There was absolutely no looking back as a techno DJ. Before I upgraded I thought I needed new speakers for more bass. But the soundcard on the XONE was just unbelievable. It just clicked why so many DJ’s choose this mixer. If it makes such a huge difference in my home studio on 5 inch speakers, imagine the difference it can make on the dancefloor in any venue. Not only that , but having so much control over the mids has completely transformed my mixes and made it so much easier to get out of bad situations. If you really want FX you can just buy a guitar pedal.
What are you working on for the rest of the year?
My aim now is to continue forming my sound. I want to combine the use of call and response in raw original techno with my sound and create a whole new dynamic for my sets. Allowing for more of my own tracks to have such an effect on the dancefloor.
kristan j caryl